Cantus Planus - Papers Read at the 7th Meeting Sopron, Hungary - 1995

József Ujfalussy: Geleitwort Clara Adsuara: Remarks on the Structure of Kalophonic Stichera: Working Hypotheses Maria Alexandru: Zu den megala semadia der byzantinischen Notation Márius Bernadó: Musical Contents in Printed Rituals from Sixteenth-century Catalonia Edith Boewe-Koob: Ein Fragment aus Taggia James J. Boyce: Rhymed Office Responsory Verses: Style Characteristics and Musical Significance Charles Brewer: Cantus Regine: The Liturgical Manuscripts of Alzbeta Rejcka Raffaella Camilot.Oswald: Neue Fragmente liturgischer Musikhandschriften aus dem frühmittelalterlichen Regensburg Marie-Noel Colette: Perspectives musicales offertes par la série de tropes alternatifs dans le ms. Paris, Latin 1119 Zsuzsa Czagány: Das Breviarium notatum CO 3 derehemaligen Olmützer Kapitelbibliothek László Dobszay: Some Remarks on Jean Claire's Octoechos Joseph Dyer: The Clavis in Thirteenth-Century Music Theory Owain Tudor Edwards: Searching for the Music of the Use of Nidaros Stefan Engels: Neumenfamilien und Choralnotationen in Österreich Barbara Haggh: Sources for Plainchant and Rutial in London and Ghent: a Survey and Comparison Simon Harris: Byzantine Psalmody - an Interim Report David Hiley: The English Antiphons in the Historia Sancti Gregorii Gunilla Iversen: Conclusions from a Radical Redaction: Glorai Melody A and its Collection of Alternating Trope Verses in the ms Paris BN lat 1119 Annette Jung: The Interaction between the Syllabic and the Melismatic in the Hymns of the Standard Abridged Version of the Sticherarion Theodore Karp: The Cahnt Background of the Choralis Constantinus Gábor Kiss: Tonal Variants in the Hungarian Antiphon Repertory Sieglinde van de Klundert: Der Tractatus de tonis des Guido von Saint-Denis Svetlana Kujumdzieva: The Akathistos once again (A Study Based on Balkan Musical Sources) Katarina Livljanic: Per hebdomadam a Monte Cassino: quelques aspects de l'office ferial dans l'antiphonaire cassinien (Monte Cassino, Archivio della Badia, ms. 542) James McKinnon: Vaticana Latina 5319: Witness to the Mid-Eighth-Century Roman Proper of the Mass Brian Moller-Jensen: Celebrating Chirstmas in Piacenza 1142 Fumiko Niiyama-Kalicki: Hl. Erentrudis in der Nonnberger Liturgie in Salzburg Nils Holger Petersen: The Musical and Liturgical Composition of Visitatio Sepulchri Offices Franz Karl Praßl: Zu Geschichte und Inhalt des ältesten SAlzburger Liber Ordinarius Alexander Rausch: Beobachtungen zum Kurztonar des Bern von Reichenau Volker Schier: Aspekte zur frühen Tropenpraxis in Franken Nanna Schiodt: Enigmatic Neumes in the Kontakion Repertoire: An Examination Based on the Akathistos Hymn Bernhold Schmid: "Super hymnum Ave maris stella" - Aspekte einer Credo-Vertonung um 1600 Irina Shkolnik: Byzantine Prosomoion Singing: a General View on the Repertoire of Stichera-models (automela) Marina Shkolnik: Some Principles of Rhytmic Organization in Byzantine Music (A Study Based on the Byzantine-Russian Heirmologion) Janka Szendrei: Prager Quellen zum Hirsauer Choral Elizabeth C. Teviotdale: A Fragmentary Cistercian Antiphonal in the Getty Museum and its Illumination Elena Tonceva: The Late-Byzantine Psalmody - some Observations on Structural Problems Christian Troelsgard: Melodic Variation in the Original MSS (Apolytikia and Exaposteilaria) Jerome F. Weber: Andrew Hughes and the Rhymed Office Gerda Wolfram: Die Gesänge der Großen Horen des Karfreitags aus Jerusalemer Tradition Agenda of the Study Session Participants of the Study Session